Throughout the first half of our twentieth century, the productions of a large number of poets in Mosul remained neglected. They hardly received little attention at the level of university studies. Thanks to the manifestation of features of the poetry of the Mosul press, but its approach did not allow her to be exposed to abundant poetry preserved by the manuscript and printed circles, and my humble research of (poetry) in Mosul, in the fifth part of the Encyclopedia of Civilization, included very brief general references to this poetry. And since the religious trend (mystical, traditional, reformist and critical) is one of the important directions for poets to continue, his study influenced a substantive study that (as possible) affected the artistic features, by contemplating the examples of a number of his poets, aspiring to document a poetic material that was about to be eroded in the papers of models A number of his poets, aspiring to document a poetic material that was about to erode in old newspaper papers and in the darkness of old cabinets, and I spent collecting the material of Mosulist poetry in the first half of the first century (including the material of this research) for a period that exceeded a quarter of a century (interrupted by pauses and pitfalls) and I do not claim yet For this long period that I have completed collecting the material of this poetry, there are still different groups or poems here or there that I did not reach, or I was not allowed to access them, provided that I prepared what I was able to collect is sufficient for those who want to discern the features of this poetry - thank you who helped me for This gathering seeks an excuse for others, and as I bless the universitys approach to studying a number of poets of the city, I hope that this research will contribute to drawing part of the map of the conductive poetry through a direction that has not been fully researched (as he did not receive from the letter of Dr. Al-Jumaili more than a quick page and a half page) Hoping to be a catalyst To bring a number of poets out of the region of neglect and shadow into the realm of fairness and light, especially poets who were able, through their traditional tools, to achieve a poetic achievement that is good or almost good in the poetry of the Renaissance, and to question the negative common saying about poetry of late ages and I have tried to be (objective) I referred (whenever I could say it) to the features of strength and weakness - the beauty and vulgarity in this poetry. I hope that this research will be a catalyst for a dialogue that complements its shortcomings, and pushes to draw the rest of the map of conductive poetry, to my liking.