Among the critical terminology that did not take place except in modern criticism, and therefore its application to Arabic poetry did not gain enough fame and its scope did not expand in me in a limited circle, except for some studies which are few, - which were the guide of the researcher such as the study of Mohiuddin Sobhi and the vision in Al-Bayatis poetry and :: The study of Dr. Muhammad al-Faris, The Creative Vision in the Poetry of Salah Abdel-Sabour. And the study of Dr. Abdel-Qader Al-Ribai, the Image and the Vision in the Poetry of Zuhair bin Abi Salma. These studies have revealed various definitions of the vision, but it is almost | mostly - they agree that the vision is to deepen the view of the creator In life to try to understand its past and its future and present a clear philosophy about it in poems because they believe that poetry does not affect by idea or image, but by the vision, because God may be an image or a view of the world or insight into the fate of man or we value the conflict between) good and evil or Everything is an expression from the writer about a section of the philosophy of his poems