Poetic knowledge in the pre-Islamic era
Abstract
Talking about feeling in poetry and building a model from it (from what we talked about in the first section of this study in a previous research) leads to talking about vision. Now the nature of the feeling and the degree of its depth are the nature of the vision and the degree of its depth. In my opinion, the feeling and the vision are almost one thing, for they are like the two sides of the same paper, they are also two and at the same time one thing (the paper) and one of them cannot be separated from the other, then there will be a card at all!
Feeling represents one side of the paper that is more related to feeling, while vision represents the other side that is more related to the mind (one aspect of what I mentioned in the first section of the unity of feeling and thought). And after I was exposed to the formation of the poetic model on the side of feeling in the first section, I would like to delve more into poetic knowledge in this second section by exposing the formation of the poetic model from the other side of the mental, which is vision.