The controversy of the eye and the memory in the anecdotal group (The Wall of Guns) by Abdul Khaliq Al-Rikabi
Abstract
I am not a fan of these complex and discordant titles that we have begun to get used to, and it has become impossible for some to play verbal play that may not be without excitement, and it may be used rarely when it is loaded with all its connotations and dimensions. But reading the collection (Wall of Guns) by Abdul-Khaleq Al-Rikabi, this community highlights one of its most prominent manifestations in which it is highly artistic, as it creates its subject matter, gives its style an exceptional poetic, and its construction is simplicity and intensity. A group that transcends the surface and penetrates into the depths to illuminate and analyze the dimensions in the data of the war and its national and civilized frameworks, and in the historical race of the Arab nation and its Egyptian battles, and this is from its core literary work an act of civilization that may reach the point of the revolution, and it seeks to embody the nations battles and link its present back to Her past and an extension to her future outlook.Perhaps one of the simplest connotations of the modern security story is that it narrates or consists of one or several incidents related to different human figures, whose methods of tampering and behavior in life differ in the same way that people live on the face of the earth. One of the advantages of this group is that it does not deal with the issue of war directly, meaning that we do not find a description of a war, a battle, or a field of combat, as it does not move towards documentary documentary, or take a picture from daily life or a picture from the battlefield.