We do not intend to be subjected to an extensive and comprehensive analysis of the poem, because such a work takes an entire writing, and what most is written and written about the land is ruin, but our goal in this attempt is presented. An introduction or introduction, or approach, to study this poem, which is an entrance that a critic has not previously encountered, and it has never been explained by an interpreter to the best of my knowledge. The basis of this approach is to emphasize the unity of the poem, contrary to the prevailing belief among most critics that the poem is dispersed, lacking interconnection and logical sequence, and our argument for the poem's unity does not stem from the small particles and fine details that make up the five sections of the poem, but rather from the element of time that unites those Molecules and details. There is no literary product comparable to the ruined land in depicting the twentieth century in its spiritual bankruptcy, mental failure, failure and sterility. It is a cry in the face of the Western world, which opened the door wide before the First World War with all its cruelty, brutality and evils.