The ancient Arab critics used to describe the prose text (multi) as a face porter and this means that the text accommodates a number of possible readings from the recipient side, and it contains more than one meaning. This readership tries to evoke the written and semantic absence in the relationship of Al-Mutanabbi with the sword of the state during the first Rahil crisis on Aleppo as depicted by his poems Mimia, which he said angrily, and the illiteracy in which he tried to apologize in an artistic way that is extremely beautiful and surprising.